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Woodwind Technique 1.2: Picking a Saxophone Mouthpiece
December, 2002
Dan
Higgins
SELECTING
an appropriate mouthpiece can be one of the most important steps in achieving
success in saxophone performance. As a veteran player of the LA jazz and
recording scene for 25 years, I've played and heard all types of sax mouthpieces.
After getting involved with intoxicating set-ups that didn't work out
well, it's very clear to me what to look for in a mouthpiece and reed
combination.
A common mistake is to select a very responsive,
brilliant and edgy mouthpiece. Because of these bright tone qualities,
it becomes necessary to select a dull, foggy, dark reed to counteract
the mouthpiece's inherent edge. After playing mouthpieces like these on
both the alto and tenor saxophones, I don't believe it's the best way
to go. I prefer a quality darker mouthpiece which allows a good vibrant
reed to fully vibrate and create a full set of overtones. Trying to add
lows to a sound that is inherently bright is very taxing on the embouchure
and throat. The darker, larger chamber mouthpieces have a natural, open,
rich flavor that can be more easily brightened with a quality vibrant
reed.
Alto mouthpieces such as the Meyer (medium chamber)
and Beechler (medium chamber) are examples of mouthpieces that allow the
reed to add edge and highs to a basic quality fundamental tone. Medium
tip openings such as 5-7 allow for the use of a medium strength reed (2.5-3)
to work in concert providing a pleasant quality tone. It's no wonder these
types of set-ups were used by the likes of jazz greats Phil Woods and
Cannonball Adderly.
Wedge-type mouthpieces add to an already tough
task of playing in tune. Usually the low register will suffer with large
wedges or small chambers. Let your ear be your guide when you experiment
with these high powered mouthpieces. They may feel louder but in actuality
may not have a full-sounding tone represented by highs, mids and lows.
A good mouthpiece should always be helping the player achieve a more mature
quality with a daily reinforcement of good tone.
Careful discriminating reed selection is very
important with these types of quality mouthpieces. I've always been wary
of mouthpieces where all the reeds "feel" good. Generally these set-ups
are too bright for my taste. On the tenor mouthpieces these same traits
should be sought-after. Because of the inherent dark quality of the tenor
a slightly brighter mouthpiece can be a successful solution. Metal (brass)
can add to this equation and be a good material for tenor and baritone
mouthpieces. Again, a nice-size chamber, medium tip opening and a quality
vibrant reed is the formula for success.
Again, be wary of a mouthpiece where the low
notes are resistant or non-existent! We've all played those mouthpieces
which seem to only be good for screaming high register solos. In all types
of saxophone performance it's not acceptable to sacrifice any portion
of the range in search of a certain tone. A good set-up should play all
the low notes as well as the altissimo. Changing reed types and variations
can "lean" a mouthpiece one way or the other. For example, a bright reed
on an Otto Link tenor can be valuable in a contemporary setting, while
a darker, more blending reed will work well in a big band section. A slightly
harder alto reed with some "buzz" makes for an exciting lead alto reed
as opposed to a subtle, sweet, sexy alto tone that would require a pure,
beautiful-sounding reed. Finding a reed that fits the style can help maneuver
the tone towards your goal without sacrificing the overall sound.
Radical mouthpieces can achieve a unique tone
but may come with sacrifices not easily overcome. It's no wonder the steadfast
Otto Link tenor mouthpiece has become a favorite to many tenor players,
as the chamber allows for the player's personality to emerge. There are
many high-quality mouthpieces on the market and it's not possible to cover
them all. The successful players find mouthpieces that provide a full
tone that plays in all registers with the ability to alter the sound to
fit many styles and situations. A good teacher will be able to help guide
you in your selection in a market place that is ever growing with new
products and concepts. Good luck and good tone!
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